Vox Populi, Vox Dei is a daily column that runs on Page 1 of The Asahi Shimbun.
January 9, 2021 at 12:15 JST
"Dai-Kome Sodo" (The great rice riot), a film that began screening at theaters around the nation on Jan. 8, is interspersed with ditties with curious melodies at turning points in the narrative.
"So easygoing, aren't you?" goes one song. "Give up, do give up," goes another.
Written by balladeer Azenbo Soeda (1872-1944), the songs featured in the film were big hits during the Meiji (1868-1912) and Taisho (1912-1926) eras.
Born in the Kanagawa Prefecture town of present-day Oiso, Soeda satirized politics and society at the height of the "Jiyu Minken Undo" (movement for civic rights and freedom) of the 1880s, endearing himself to the frustrated and discontented masses.
"I never have money. You have no money, either," goes one of his ditties. "What brought you to this life? To pay taxes and interest."
Soeda ridiculed politicians and society's well-to-do elites: "It's all about money for academics, lawmakers and politicians/ It's all about money, tips and bonuses." And he went on, "Yawning during legislative assemblies/ Shaking hands with military officers and rich folk."
His prolific works went by tongue-in-cheek titles such as "Hottoite-bushi" (Leave me alone song), "Henachoko-bushi" (Whippersnapper song) and "Zozei-bushi" (Tax hike song).
"Soeda gave expression to the simple sentiment of the common folk who were sick and tired of the national policies of universal conscription and industrial development," noted Mamoru Hosoi, 63, an expert on the local history of Oiso.
Soeda was said to have resided in the slums for many years, and chose the life of a vagabond in old age.
The film depicts the historical Rice Riot of 1918, which erupted in Toyama Prefecture, from the viewpoint of local women.
Ordinary homemakers in fishing villages rose up and changed society. And Soeda's lyrics vividly captured the zeitgeist of the time, empathizing with society's anonymous and vulnerable members.
And they definitely resonate with us today.
For instance, Soeda's critical spirit rings out especially loud and clear in this song he penned in 1930: "Americanism has taken deep root/ Prices of goods keep soaring/ Human life keeps getting cheaper/ Ah. bummer/ All is amiss on the daily life front."
Don't tell me this isn't a Reiwa Era song.
--The Asahi Shimbun, Jan. 9
* * *
Vox Populi, Vox Dei is a popular daily column that takes up a wide range of topics, including culture, arts and social trends and developments. Written by veteran Asahi Shimbun writers, the column provides useful perspectives on and insights into contemporary Japan and its culture.
VOX POPULI: Every one of us will have to pitch in to tame resurging virus
January 8, 2021
VOX POPULI: Those who have had COVID-19 need empathy, not social stigma
January 7, 2021
VOX POPULI: People need something tangible to cling to in a crisis
January 6, 2021
VOX POPULI: Mr. Suga, try and be man of times like Churchill in COVID-19 fight
January 5, 2021
VOX POPULI: Let’s hope luck turns around this year after it spun out in 2020
January 4, 2021
Stories about memories of cherry blossoms solicited from readers
Cooking experts, chefs and others involved in the field of food introduce their special recipes intertwined with their paths in life.
A series based on diplomatic documents declassified by Japan’s Foreign Ministry
A series on the death of a Japanese woman that sparked a debate about criminal justice policy in the United States
A series about Japanese-Americans and their memories of World War II
Here is a collection of first-hand accounts by “hibakusha” atomic bomb survivors.
Director Katsuhide Motoki talks about his film, "Dai-Kome Sodo," in Toyama in November. (Asahi Shimbun file photo)
