September 20, 2019 at 07:00 JST
Heatwave out in the muddy flakes a child cuts dream cake
--Justice Joseph Prah (Accra, Ghana)
* * *
first rain--
open mouth
of a shoeless boy
--Tomislav Sjekloca (Cetinje, Montenegro)
* * *
O, her heart,
this arid region
for my flowers
--Tomislav Maretic (Zagreb, Croatia)
* * *
dry river--
the plover’s cry is
more plaintive
--Mario Massimo Zontini (Parma, Italy)
* * *
Azaleas
flowers bloom untimely
jewels in the rain
--Kiyoshi Fukuzawa (Tokyo)
* * *
our red canoe
faded to pink--
summer’s end
--Stephen Toft (Lancaster, U.K.)
* * *
Maple foliage
a girl in the shade
applies her makeup
--Ezio Infantino (Verona, Italy)
* * *
drought
spotting a crack
after a shave
--Henryk Czempiel (Poland)
* * *
skyscrapers loom in
the valley bottom--
Shibuya in hot summer
--Kazuo Takayanagi (Tokyo)
* * *
hanging the last load
there’s only
so much sun
--Ian Willey (Takamatsu, Kagawa)
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FROM THE NOTEBOOK
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Watermark
reached the second floor
silver hair
--Masumi Orihara (Atsugi, Kanagawa)
The haikuist was moved to tears listening to an older man describe how his neighborhood was devastated by summer floods. Natalia Kuznetsova felt vulnerable during heavy floods that submerged Siberia. The cellar of Luciana Moretto’s home in Italy flooded earlier this summer. In the drought that ensued for days on end, she dusted red sands blowing in from the Sahara.
the flooded village--
an old cat on the roof
wistfully still
* * *
Refugees
fleeing the drought
hotter than hell …
Forest fires were relentless this summer, so Roberta Beach Jacobson announced the deadline for leaving her home in Indianola, Iowa.
look out the window
when the moon is on fire
we evacuate
Living in the hot Sonoran Desert in the southwest United States made John Daleiden “rife with caution,” he said. “Smoke often lingers on the horizon. I look up to the ridgeline and see wisps of smoke--summer fires either caused by lightning or man. I never thought I would pray for monsoon rains.”
brush fires
surge over mountain ridges
drought
* * *
the shady side
of timber ridge brittle--
no monsoon in sight
Hifsa Ashraf composed her haiku at the edge of a large arid region that forms a natural boundary between Pakistan and India.
Thar Desert
among sand dunes
a perfect mirage
An electric fan circulates a current of cool air in the room where Puja Malushte has been watching for cumulonimbus clouds that could bring rain to drought-stricken Mumbai. Simran sees no end in sight to the rising cost of vegetables in Punjab. Goran Gatalica surveys his stunted crop of corn in Croatia.
draught
farmer eyes
the nimbus
* * *
harvesting drought
as cash crops gulp down
groundwater
* * *
lingering drought--
an anthill grows
among the corn stalks
Kiyoshi Fukuzawa has seen nothing but heavy gray rain clouds on the Kanto plains. Paul Conneally angles a bird’s eye view from Loughborough, U.K.
Long rain--
farmer’s eyes level with clouds
hanging low
* * *
high over a huge
field of ripening barley
a speck of skylark
Haikuists who summered outside the city were likely reluctant to return. Especially those who were fortunate enough to have clear water to boil for tea, warm rocks with bent pines to rest upon and slow-burning sunsets to write about. A serene scent filled Rosemarie Schuldes’ kitchen in Mattsee, Austria. Marilyn Humbert reclined on the wooden flooring outside a traditional Japanese cottage. Eleonore Nickolay stayed on her feet.
cornflowers
in my tea blend
blue dreams
* * *
beneath
grandfather’s engawa
a croaking toad
* * *
veranda
in my favourite place
a lizard
Paul Geiger doesn’t bother keeping up with the neighbors’ high-tech eco-homes in Sebastopol, California. In Vancouver, Canada, Alegria Imperial recorded how every drop of moisture has been sucked dry.
no drip system
no worries
succulents blooming
* * *
white spider mites
draining the holly
of crispness
Satoru Kanematsu moved his 12-year-old granddaughter’s pet to a larger aquarium. Imperial shields her eyes from the sun.
Clean water
the refreshed goldfish
flares bright red
* * *
withered lake
the boy’s hand big enough
for a quenched sun
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The Oct. 4 and 18 issues of the Asahi Haikuist Network will shine with gold. Readers are welcome to send haiku about chrysanthemums or precious moments with friends on a postcard to David McMurray at the International University of Kagoshima, Sakanoue 8-34-1, Kagoshima, 891-0197, Japan, or e-mail to (mcmurray@fka.att.ne.jp).
* * *
David McMurray has been writing the Asahi Haikuist Network column since April 1995, first for the Asahi Evening News. He is on the editorial board of the Red Moon Anthology of English-Language Haiku, columnist for the Haiku International Association, and is editor of Teaching Assistance, a column featuring graduate students in The Language Teacher of the Japan Association for Language Teaching (JALT).
McMurray is professor of intercultural studies at The International University of Kagoshima where he lectures on international haiku. At the Graduate School he supervises students who research haiku. He is a correspondent school teacher of Haiku in English for the Asahi Culture Center in Tokyo.
McMurray judges haiku contests organized by Ito En Oi Ocha, Asahi Culture Center, Matsuyama City, Polish Haiku Association, Ministry of Foreign Affairs, Seinan Jo Gakuin University, and Only One Tree.
McMurray's award-winning books include: "Only One Tree Haiku, Music & Metaphor" (2015); "Canada Project Collected Essays & Poems" Vols. 1 -- 8 (2013); and "Haiku in English as a Japanese Language" (2003).
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